Friday, April 11, 2014

A Composition from` Sivapadam' by Vinukonda Murali Mohan in a rare Raga :LavangI

Svarantara-Svarantara

4 notes each in arohana and avarohana; Example Lavangi raga



Lavangi 
Creative genius of the many vaggeyakaras (musician-composer) in Karnatic music  is amazing- especially amongst the Trinity composers like Shyama Sastri, Tyagaraja and Muthuswami Dikshitar. Notably, Tyagaraja’s greatness as a composer is reflected not only by the voluminous number of compositions but also many kritis set in uncommon ragas, several of them are his own creations. Tyagaraja is one of the vaggeyakaras, whose has composed maximum number of kritis in rare and uncommon ragas. 
Normally, a raga with 5 swaras is pleasing to listen. But Balamurali Krishna has been responsible for creating  new  ragas like Mahati, Sumukham, Lavangi etc,with only four swaras. These ragas pose challenge for a musician and need special skills  to compose and  render them.


Lavangi is a raga in Carnatic music. It is a Janya raga, whose Mela is Kanakangi (1)

arohana : C Db F Ab C
avarohana : C Ab F Db C
Bala Murali Krishna has composed  keertana `Omkara aakaarini' and rendered  intelligently and mellifulously Lavagi which became very popular.
.IIIn  In the year 1997 Sri.Vinukonda.Murali Mohan has composed a hym of Sri SamavedamShanmukha Sarma (Sivapadam) .The Hym was presented in the 1st `Sivapadam' music concert on 31.08.1998 at Kasturi Srinivasan hall,Music Academyhennai, in the presence of Dr.Mangalampalli Baala Murali Krishna.Sri.N.S.Prakasa Rao rndered this hym intelligently and mellifulously,which got appreciation from Dr.Bala Murali,Sri.K.Viswanadh and many other laity who were present at the concert.
Ita worth mentioning that,the compostion was well appreciated by BllamUrali garu
Pl.listen to the composition.


Monday, February 10, 2014

Rag Bilaval/sankarabharanam-model shifting -a very good composition by Sri.Ravindra jain

  This is a master piece  written and composed by Sri Ravindra jain and rendered efficiently by Yesudas..The song depicts the greatness of Rag Bilaval and how each of the notes of Rag Bilaval  i.e from Shadjam to Nishad shifted modelly ,transforms in to six diffrent Raga-s.This song was recorded for Hindi film 'Tansen'. The songs and movie were never released.Lyrics & Music by Ravindra jain
Pl enjoy this great composition.Pl.post your views in this
Murali krishna and Sree Suseela

Monday, December 17, 2012


cene sarigamalu

Movie: Parichay
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Beete na bitaaii rainaa birahaa kii jaaii rainaa
Bhiigii huii ankhiyon ne laakh bujhaaii rainaa
Beete huii batiyaan koii doharaaye
Bhuule hue naamon se koii to bulaaye
Chaand chaand 
Ho o

O chaand kii bin diivaanii, bin diivaanii ratiyaa
Jaagii huii ankhiyon men raat na aaii rainaa
Beete na bitaaii rainaa birahaa kii jaaii rainaa
Beete na bitaaii rainaa 

Yug aate hain aur yug jaae
Chhotii chhotii yaadon ke

Pal nahiin jaae
Jhuuth se kaalii laage, laage kaalii ratiyaa
Ruuthii huiin ankhiyon ne laakh manaaii rainaa
Beete na bitaaii rainaa birahaa kii jaaii rainaa
Beete na bitaaii rainaa

Saturday, May 26, 2012

Rag Bilaval/sankarabharanam-model shifting

    


          భారతీయ సంగీతం లో శంకరాభరణం ఒక  ప్రాధమిక రాగం (Primordial scale). ఈ రాగాన్ని గ్రహ భేదం చేస్తే అంటే ఆ రాగం లో వచ్చ్చే  రిషభం ,గాంధారం ,మధ్యమం ,పంచమం ,దైవతం ,నిషాదం ,స్వరాలని షడ్జమం గా  చేస్తూ పాడితే(model shifting) వరుసగా కాఫీ ,భైరవి,యమన్ కళ్యాణ్ ,ఖమాజ్ ,అసావరి ,బహార్   రాగాలు వినిపిస్తాయి .
ఈ ప్రక్రియ సోదాహరణం గా మీకు తెలియజెయడానికి ప్రఖ్యాత సంగీత దర్శకుడు  రవీంద్ర జైన్  తాన్సేన్ చిత్రం కోసం స్వరపరచగా ప్రఖ్యాత  గాయకుడు ఏసుదాస్ పాడిన ఒక  master piece   ` షడ జ్ నే పాయా యే వరదాన్ 'అనే పాట ని ఇక్కడ పొందుపరుస్తున్నాను విని ఆనందించండి .
మురళి